NEW LESSONS JUST ADDED TO THE STRING SCHOOL!
Each month, our instructors add new tunes, in-depth technique lessons, and play-along tracks to many of our courses. Check out this month’s additions below, and sign up for any new course with promo code “Play20” and get your first month free!
GUITAR COURSES
Advanced Flatpicking Guitar with Scott Nygaard
Playing Triplets and “True Life Blues” Scott shows you a few different ways to play triplets, including using “sweep picking” and down-down-up picking, and demonstrates them on a solo to Bill Monroe’s “True Life Blues.”
Roots of Jazz Guitar with Matt Munisteri
Soloing with “Drop Two” Minor Six Chords Matt uses “I’ve Found a New Baby” to show you a great method of improvising chord-melody style using the four-note minor six and diminished chord shapes you’ve already learned.
Irish Backup Guitar with Flynn Cohen
Standard Tuning Backup Flynn talks about backing up Irish tunes in standard tuning using chords you probably already know and a few inversions you may not know.
MANDOLIN COURSES
Bluegrass Mandolin Jam Favorites with Joe K. Walsh
Over the Waterfall The old-time fiddle tune “Over the Waterfall” has a simple melody that can be easily filled in with eighth notes to make it more complex. Joe shows you a basic version and an embellished version.
Theory for Mandolin and Fiddle with Chad Manning
Two-Note Chord Comping | Chad shows you how to use double stops on the bottom two strings to accompany (“comp”) songs, using the chord progression for “All of Me.”
Intermediate Bluegrass Mandolin with Sharon Gilchrist
“Gonna Paint the Town” Bill Napier Solo The solo that mandolinist/guitarist Bill Napier played on the Stanley Brothers’ 1958 recording of “Gonna Paint the Town” is a great example of creating a solo by using arpeggios in the key of G.
Monroe-Style Mandolin with Mike Compton
The Prisoner’s Song Bill Monroe recorded “The Prisoner’s Song” in 1951 with a studio band. The mandolin solo is one of Monroe’s oddest and most characteristic, with some strange chromatic runs played with tremolo.
The Advancing Mandolinist with Joe K. Walsh
Crockett’s Honeymoon “Crockett’s Honeymoon” is an old-time fiddle tune that originated in Ireland as “The Honeymoon Reel.” It’s a straightforward fiddle tune in the key of G, but it can be a challenge to play at fast tempos.
Melodic Mandolin Tunes with John Reischman
Do You Know What It Means to Miss New Orleans John’s version of the jazz standard “Do You Know What It Means to Miss New Orleans” comes from Stéphane Grappelli, who played it in the key of D.
Irish Mandolin with Marla Fibish
Cúnla The five-part jig “Cúnla” is one of the “big tunes” and is both a tune and a song. As a tune it’s usually known as “The Frieze Britches.” There are a few versions, but Marla’s is based on the way the Irish group Planxty played it.
Chord Melody Mandolin with Aaron Weinstein
Just Friends The jazz standard “Just Friends” is played in many ways: as an uptempo swing tune, as a ballad, etc. Aaron shows you a ballad version of “Just Friends” and uses it to demonstrate some of the ways he plays rubato.
Bluegrass Mandolin Fingerboard Method with Sharon Gilchrist
Big Spike Hammer The Osborne Brothers classic “Big Spike Hammer” uses the “six minor chord,” often noted as a vi chord. You’ll learn the arpeggios and double stops of the iv chord in the key of B and a solo to “Big Spike Hammer” in B.
BANJO COURSES
Bluegrass Banjo with Bill Evans
Home of the Red Fox Bill Emerson’s banjo tune “Home of the Red Fox,” recorded on his album of the same name, has become a favorite of artists like The Infamous Stringdusters and Billy Strings, and you’ll often hear it at jam sessions.
Contemporary Bluegrass Banjo with Wes Corbett
Letter from My Darling JD Crowe’s break to the bluegrass classic “Letter from My Darling” recorded with the Bluegrass Album Band is itself a classic and a great lesson in rendering a vocal melody on the banjo.
Old-Time Banjo with Bruce Molsky
Jack Wilson “Jack Wilson” is a straight-ahead square dance tune in the key of D. The version you’ll learn was recorded in 1941 by fiddler John Morgan Salyer and banjo player Claude Helton.
Georgie “Georgie” comes from Virginia old-time banjo player Matokie Slaughter. The B part includes an alternate-string pull-off on the top string and muting of the top string on the brushes.
FIDDLE COURSES
Bluegrass Fiddle with Chad Manning
Old Ebenezer Scrooge Bill Monroe’s instrumental “Old Ebenezer Scrooge” has four parts and is in the key of A minor. Chad’s version is based on the way Bill played “Old Ebenezer Scrooge” on the mandolin.
Old-Time Fiddle with Bruce Molsky
Happy Hollow “Happy Hollow” comes from the great western North Carolina fiddler Marcus Martin. It’s a two-part tune in the key of A, played in AEAC# tuning, which is often called “Black Mountain Rag” tuning or calico tuning.
BASS COURSES
You’ve Got a Friend Carole King’s pop hit “You’ve Got a Friend” has a great bass pattern and is in the key of Ab, so you’ll get a workout in the key of Ab with this lesson.
PLAY-ALONG RHYTHM TRACKS – Available to all subscribers. Guitar accompaniment video, downloadable audio, and chord charts for popular bluegrass, old-time, and roots tunes and songs.
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New Lessons for March 2024Peghead Nation instructors have new lessons, techniques, and tunes to keep your musical journey on track! Read More |
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New Lessons for November 2023New lessons, tunes, and techniques from Peghead Nation instructors! Read More |
