Double-Stops Up the Neck

from: Theory for Mandolin and Fiddle with Chad Manning

This lesson is part of the course Theory for Mandolin and Fiddle with Chad Manning.

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Learn the basics of music theory as it relates to four-string instruments tuned in fifths. Chad’s practical approach will deepen your knowledge of chords, scales, and arpeggios, and help you integrate them into your playing.

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Major Chord Arpeggios

Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. Chad explains that major chords are constructed of roots, thirds, and fifths: the first, third, and fifth notes in a major scale. Then he shows you different finger patterns for major arpeggios in bluegrass keys, giving you handy ways to visualize each pattern and advice about practicing them in different ways.

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Double-Stops Up the Neck

For this lesson, Chad enlists his son Jasper Manning to show you how to think about using double-stops up the neck in your solos. Jasper walks you through the three main double-stops on the top two strings for G, A, D, E, B, C, Bb, and F chords and shows you how to find the same double-stop shapes on the other two sets of strings. He ends by playing a solo on the bluegrass fiddle tune “Big Sandy River” using double-stops and licks based on double-stop positions.

Double-Stops Up the Neck (Available to subscribers)

Previous Lesson

← Double-Stop Scale in the Key of F

Next Lesson

Bluegrass Lick #1 in All the Bluegrass Keys, Part 1 →

Previous Lesson

← Double-Stop Scale in the Key of F

Next Lesson

Bluegrass Lick #1 in All the Bluegrass Keys, Part 1 →

Previous Lesson

← Double-Stop Scale in the Key of F

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