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Shove the Pig’s Foot a Little Further in the Fire, Part 1: A Part Melody 

This lesson is part of the course Old-Time Fiddle with Bruce Molsky.
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Get deep into the roots of Southern Appalachian old-time fiddling. Bruce breaks down the melody, bowing patterns, rhythms, and embellishments of each tune he teaches so you can really learn to play like Bruce and the old masters he learned from.
 
 
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GREASY COAT
 
West Virginia fiddler Edden Hammons was recorded in 1947 by a collector named Louis Chappell. Hammons’s playing has a Scottish influence, with strongly detailed phrases and an old-fashioned style of intonation. You’ll learn his version of “Greasy Coat” in this lesson. “Greasy Coat” is in A E A E tuning, and Bruce starts by playing the tune through a couple of times, before breaking the melody down for you phrase by phrase. He also shows you how Hammons often played thirds and sevenths slightly flat, and trilled the third. You’ll learn the melody of both the A and B parts in this video.
 
 
 
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SHOVE THE PIG’S FOOT A LITTLE FURTHER IN THE FIRE  
 
SHOVE THE PIG’S FOOT A LITTLE FURTHER IN THE FIRE  
 
Shove the Pig’s Foot a Little Further in the Fire, Part 1: A Part Melody 
Shove the Pig’s Foot a Little Further in the Fire, Part 1: A Part Melody 
 
“Shove the Pig’s Foot” is a popular tune in the old-time repertoire. It comes from Marcus Martin, from western North Carolina, who recorded for the Library of Congress in the 1940s. This tune appeared on an LP he recorded with his son in the 1950s. You’ll learn the melody to the A part in this video. Bruce plays the whole melody through first, then takes it apart phrase by phrase, and finishes by playing the A part twice, so you can practice playing it along with him.

  "Shove the Pig's Foot a Little Further in the Fire" (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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