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Two Essential Banjo Rolls, Part 1: The Forward-Reverse Roll


This lesson is part of the course Creating Bluegrass Banjo Solos with Bill Evans.
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Learn a step-by-step process for building your own great bluegrass banjo solos. Starting with the fundamentals of finding melodies on the fingerboard, Bill Evans shows you how to combine basic banjo chord shapes and rolls with licks, techniques, and patterns to create your own unique solos that will give your playing that authentic bluegrass sound.
 
 
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Two Essential Banjo Rolls
 

In this video, Bill shows you how to add the forward-reverse roll to the melody of “Worried Man Blues,” which you learned to play in an earlier lesson. You’ll be relieved to know that there isn’t a hard-and-fast rule about getting every single melody note into your solo. Your ear will fill in some of the missing notes, and the rolls will maintain the momentum of your solo.

 
 
 
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  • Lessons cover multiple techniques for both picking and fretting hands, including rolls, slides, hammer-ons, pull-offs, and more
  • Special focus on finding melodies on the banjo fingerboard
  • Provides all the tools you’ll need to build solid bluegrass banjo solos
 
 
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Two Essential Banjo Rolls  
 
Two Essential Banjo Rolls  
 
Two Essential Banjo Rolls, Part 1: The Forward-Reverse Roll
Two Essential Banjo Rolls, Part 1: The Forward-Reverse Roll
 

Bill introduces two essential banjo rolls in this lesson—the forward-reverse roll and the alternating thumb roll—and shows you how to integrate them into the melody line of a song or tune. Bill suggests focusing on that right-hand picking pattern independent of the actual strings that you will be striking, which will give you more flexibility in the long run. In addition to learning two essential rolls in this lesson, you’ll learn to apply them to a couple of bluegrass classics: “Worried Man Blues” using the forward-reverse roll, and “I’ll Fly Away” using the alternating thumb roll. In this video, Bill introduces the forward-reverse roll and shows you a couple of variations on how to apply it to different string patterns. He begins by dissecting the pattern for the forward-reverse roll, which is thumb, index, middle, thumb, middle, index, thumb, middle (t i m t m i t m).


  Forward-Reverse and Alternating Thumb Rolls Tablature (Available to subscribers)
 
 
 

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    ● Courses
    ● Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com