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Limehouse Blues, Part 2

This lesson is part of the course Chord Melody Mandolin with Aaron Weinstein.
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Learn how to combine chords and melody to play jazz standards in the style pioneered by jazz mandolinist Jethro Burns and guitarists like Joe Pass and Bucky Pizzarelli.
 
 
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Chord Melody Basics, Part 2: Picking-Hand Technique
 
Your fretting hand determines the notes you’re playing but your picking hand determines how those notes (and chords) are articulated. Aaron shows you how to create different sounds with the two progressions you learned in Part 1 by separating the chord and melody notes in different rhythmic ways, for example, playing the melody note before the full chord, or the bass note before the full chord. He also demonstrates how you can combine these approaches to give your chord melody performance some rhythmic variety.
 
 
 
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Limehouse Blues  
 
Limehouse Blues  
 
Limehouse Blues, Part 2
Limehouse Blues, Part 2
 

“Limehouse Blues” has an AB form, and the B part starts like the A part, but diverges from the A part melody four bars in. Aaron walks you through the second half of his arrangement of “Limehouse Blues” in this video.


 
 
 
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The toilet paper song.
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Peghead Nation mandolin instructor Sharon Gilchrist plays the old-time tune at Augusta Heritage Center's Bluegrass Week 2015 with her fellow instructors Darol Anger, Tyler Grant, Casey Henry, and Mary Burdette.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
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    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
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    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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