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The Lydian Flat Seven Mode, Week One


This lesson is part of the course Weekly Mandolin Workout with Ethan Setiawan.
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This series of workouts will help mandolinists learn the fingerboard, strengthen and increase the dexterity of their fingers, and expand their knowledge of chord and scale theory, with advice on picking and fretting techniques.
 
 
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This week's skipping-thirds exercise combines the forward and retrograde patterns into a four-note pattern: forward retrograde.

 
 
 
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The Lydian Flat Seven Mode  
 
The Lydian Flat Seven Mode  
 
The Lydian Flat Seven Mode, Week One
The Lydian Flat Seven Mode, Week One
 

This month Ethan introduces the Lydian flat seven (also called Lydian dominant or Mixolydian #11) mode and teaches one of his own compositions in that mode. The Lydian flat seven scale is similar to a major scale, but with a sharp fourth note and a flatted seventh note. In the key of G, that would mean a C# for the fourth note and an F natural for the seventh note, resulting in the scale of G, A, B, C#, D, E, F, G. Ethan describes music in the Lydian flat seven mode as having a “spooky, bluesy, crunchy” sound. In bluegrass and old-time circles, “Garfield’s Blackberry Blossom” might be the best-known tune in this mode. To get a sense of the mode in that context, listen to Adam Steffey’s version, or check out Joe K. Walsh’s lesson on the tune in his Bluegrass Mandolin Jam Favorites course. Over the course of the month, you’ll learn a number of Lydian flat seven scale patterns and then tackle Ethan’s original tune “Arthur” in that mode. This first video introduces the basic G Lydian flat seven scale.


  Lydian Flat Seven Mode Notation/Tab (Available to subscribers)
 
 
 

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    ● Courses
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    ● Instructors
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    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
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    ● Fine Lutherie
 
 
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    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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    ● Inside Look
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© Copyright 2024 PegheadNation.com