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Pick Technique: Alternating Picking


This lesson is part of the course Flatpicking Old-Time Fiddle Tunes with Scott Nygaard.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Explore playing traditional American fiddle tunes on the guitar from the perspective of an old-time square dance fiddler, with an emphasis on phrasing, rhythm, and melodic improvisation that is constant but never extreme. You’ll learn 14 tunes in four keys and get examples and ideas for melodic variations for each tune.
 
 
Try a Sample Lesson
Burl Hammons’s “Big Scioty”
 

West Virginia fiddler Burl Hammons is the source for the fiddle tune “Big Sciota” that has become a jam session favorite in bluegrass circles. His version of “Big Scioty”, however, is much more syncopated and illustrates the constant improvising that most old-time fiddlers engage in. Each A part is different from every other A part and the same is true of his B parts.

 

 
 
 
The Flatpicking Old-Time Fiddle Tunes Subscription Includes:
  • 14 great old-time tunes to play in the keys of A, D, G, and C
  • Instruction on articulations and fingering designed to create powerful phrasing and rhythm
  • Variations on the melody for each tune and advice on creating short melodic variations that maintain the integrity of the melody
  • Notation and tab in downloadable PDF form provided for all tunes
 
 
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Welcome to Flatpicking Old-Time Fiddle Tunes  
 
Welcome to Flatpicking Old-Time Fiddle Tunes  
 
Pick Technique: Alternating Picking
Pick Technique: Alternating Picking
 

Alternating picking, also called alternate picking or down-up picking, is the basis of good flatpicking technique. The basic idea is that you consistently alternate pick strokes based on where you are in the measure. Downstrokes are played on the 1, 2, 3, and 4 beats of a measure of 4/4 (or 1, 2, and 3 beats of a measure of 3/4), and upstrokes are played in between those beats—on the ands of the beats. You can model this by simply tapping your foot 1, 2, 3, 4. Play downstrokes when your foot goes down and upstrokes when your foot goes up. That’s fairly straightforward and creates a nice consistent rhythm that’s essential in acoustic music. But it can get a little tricky when you start playing melodies that move from string to string. In this lesson you’ll learn strict alternating picking and look at some ways to deal with string crossings.


  Alternating Picking Exercises (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
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© Copyright 2024 PegheadNation.com