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This lesson is part of the course Flatpicking Old-Time Fiddle Tunes with Scott Nygaard.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Explore playing traditional American fiddle tunes on the guitar from the perspective of an old-time square dance fiddler, with an emphasis on phrasing, rhythm, and melodic improvisation that is constant but never extreme. You’ll learn 14 tunes in four keys and get examples and ideas for melodic variations for each tune.
 
 
Try a Sample Lesson
Burl Hammons’s “Big Scioty”
 

West Virginia fiddler Burl Hammons is the source for the fiddle tune “Big Sciota” that has become a jam session favorite in bluegrass circles. His version of “Big Scioty”, however, is much more syncopated and illustrates the constant improvising that most old-time fiddlers engage in. Each A part is different from every other A part and the same is true of his B parts.

 

 
 
 
The Flatpicking Old-Time Fiddle Tunes Subscription Includes:
  • 14 great old-time tunes to play in the keys of A, D, G, and C
  • Instruction on articulations and fingering designed to create powerful phrasing and rhythm
  • Variations on the melody for each tune and advice on creating short melodic variations that maintain the integrity of the melody
  • Notation and tab in downloadable PDF form provided for all tunes
 
 
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Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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Lady Hamilton  
 
Lady Hamilton  
 
Lady Hamilton
Lady Hamilton
 

The epic four-part “Lady Hamilton” is in the key of G and comes from Marcus Martin and Manco Sneed. Marcus Martin played four parts, but Manco Sneed apparently only played two. These days people usually play either three or four, but Scott teaches you Marcus Martin’s four-part version, so you can decide for yourself how many to play. The fourth part, however, is tricky to play on the guitar exactly the way Martin played it, so Scott shows you a few alternatives, one in a lower octave, one with a modified version of the melody in the original octave, and a guitarish version in the lower octave. People also play “Lady Hamilton” in the key of C, and Scott recorded it with Darol Anger’s Republic of Strings (erroneously titled “You Noticed Too” on the record) in the key of C, but he played it out of open A, with a capo at the third fret. 

 

“Lady Hamilton” Versions, Key of G

Marcus Martin

Walt Koken and Claire Milliner

Brittany Haas and Bruce Molsky

Manco Sneed

 

“Lady Hamilton” Versions, Key of C

Ruthie Dornfeld, Joel Bernstein, Keith Murphy

Darol Anger’s Republic of Strings (Darol, Scott, Brittany Haas, Rushad Eggleston)

 


  “Lady Hamilton” Notation/Tab PDF Download (Available to subscribers)
 
 
 

Guitar Articles

 
article: Jerry Douglas & Tommy Emmanuel: “Halfway Home” | Ear Trumpet Labs
 

The dobro master and fingerstyle powerhouse play Tommy’s original tune in the Ear Trumpet Labs workshop.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com