Dominant 9/Minor 6 Arpeggio Shapes, Part 2

from: Advanced Flatpicking Guitar with Scott Nygaard

This lesson is part of the course Advanced Flatpicking Guitar with Scott Nygaard.

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Learn the essential techniques of bluegrass flatpicking guitar through classic and lesser-known songs and tunes, from bluegrass blues to old-time fiddle tunes to country swing sounds.

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Home Sweet Home

In Part 2 of the lesson on crosspicking, you'll learn the first part of Scott's arrangement of "Home Sweet Home," which mostly uses the traditional 3-3-2 roll. Since crosspicking is usually used to play song melodies, it's a good idea to learn the melody of a song before tackling a crosspicking arrangement, so Scott starts by making sure you know the melody to "Home Sweet Home" and then takes the arrangement apart phrase by phrase (or roll by roll).

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Dominant 9/Minor 6 Arpeggio Shapes

Dominant 9/Minor 6 Arpeggio Shapes, Part 1

Dominant 9/Minor 6 Arpeggio Shapes, Part 2

Circle-of-Fifths Practice Track: “Salty Dog Blues”

Circle-of-Fifths Practice Track: “Sweet Georgia Brown”

Dominant 9/Minor 6 Arpeggio Shapes, Part 2

In this video, Scott shows you a few ways to use the dominant 9/minor 6 arpeggio shapes, first as a dominant arpeggio on a circle-of-fifths progression such as the one used for “Salty Dog Blues,” “Sweet Georgia Brown,” and many other tunes. You’ll also learn how to use it as the ii7b5 chord in a ii7–V7 progression in a minor key, such as Bm7b5–E7–Am, and as the iv6 chord in a similar progression (Dm6–E7–Am), which is common in Gypsy jazz.

Dom 9/Min 6 Arpeggio Shapes (Available to subscribers)

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Circle-of-Fifths Practice Track: “Salty Dog Blues” →

Previous Lesson

← Dominant 9/Minor 6 Arpeggio Shapes, Part 1

Next Lesson

Circle-of-Fifths Practice Track: “Salty Dog Blues” →

Previous Lesson

← Dominant 9/Minor 6 Arpeggio Shapes, Part 1

Next Lesson

Circle-of-Fifths Practice Track: “Salty Dog Blues” →

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Dominant 9/Minor 6 Arpeggio Shapes, Part 2

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