Diatonic Triad Shapes, Part 2: Minor Triads

from: Advanced Flatpicking Guitar with Scott Nygaard

This lesson is part of the course Advanced Flatpicking Guitar with Scott Nygaard.

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Learn the essential techniques of bluegrass flatpicking guitar through classic and lesser-known songs and tunes, from bluegrass blues to old-time fiddle tunes to country swing sounds.

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Home Sweet Home

In Part 2 of the lesson on crosspicking, you'll learn the first part of Scott's arrangement of "Home Sweet Home," which mostly uses the traditional 3-3-2 roll. Since crosspicking is usually used to play song melodies, it's a good idea to learn the melody of a song before tackling a crosspicking arrangement, so Scott starts by making sure you know the melody to "Home Sweet Home" and then takes the arrangement apart phrase by phrase (or roll by roll).

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Diatonic Triad Shapes

Diatonic Triad Shapes, Part 1: Major Triads

Diatonic Triad Shapes, Part 2: Minor Triads

Each of the major triad shapes can be changed into a minor triad by raising the fifth of the chord up to a sixth, creating the relative minor of that chord. You’ll learn how the minor triad shapes relate to the major shapes and how you can find all the major and minor shapes in each position. Scott gives you a few pentatonic licks you can play over each combination of major and relative minor chords and gives you ideas for practicing them up and down the neck.

Triad Shapes: Minor Chords (Available to subscribers)

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Diatonic Scale “Anchor” Positions, Part 1 →

Previous Lesson

← Diatonic Triad Shapes, Part 1: Major Triads

Next Lesson

Diatonic Scale “Anchor” Positions, Part 1 →

Previous Lesson

← Diatonic Triad Shapes, Part 1: Major Triads

Next Lesson

Diatonic Scale “Anchor” Positions, Part 1 →

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Diatonic Triad Shapes, Part 2: Minor Triads

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