Creating Bluegrass Solos: “Worried Man Blues,” Part 2: Adding Lead-In Runs

from: Advanced Flatpicking Guitar with Scott Nygaard

This lesson is part of the course Advanced Flatpicking Guitar with Scott Nygaard.

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Learn the essential techniques of bluegrass flatpicking guitar through classic and lesser-known songs and tunes, from bluegrass blues to old-time fiddle tunes to country swing sounds.

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Home Sweet Home

In Part 2 of the lesson on crosspicking, you'll learn the first part of Scott's arrangement of "Home Sweet Home," which mostly uses the traditional 3-3-2 roll. Since crosspicking is usually used to play song melodies, it's a good idea to learn the melody of a song before tackling a crosspicking arrangement, so Scott starts by making sure you know the melody to "Home Sweet Home" and then takes the arrangement apart phrase by phrase (or roll by roll).

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Worried Man Blues

Creating Bluegrass Solos: “Worried Man Blues,” Part 1: Melody and Articulation

Creating Bluegrass Solos: “Worried Man Blues,” Part 2: Adding Lead-In Runs

Creating Bluegrass Solos: “Worried Man Blues,” Part 3: Crosspicking, Strums, and Place-Holder Licks

“Worried Man Blues” Play-Along Track

Creating Bluegrass Solos: “Worried Man Blues,” Part 2: Adding Lead-In Runs

Step Two in Scott’s method of creating bluegrass solos is adding short runs or intro licks into the melody notes, and Scott shows you how he’s done this in one version of a solo to “Worried Man Blues.” The idea here is to always be thinking about where you’re going and how you’re going to get there.

"Worried Man Blues" (Available to subscribers)

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← Creating Bluegrass Solos: “Worried Man Blues,” Part 1: Melody and Articulation

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Creating Bluegrass Solos: “Worried Man Blues,” Part 3: Crosspicking, Strums, and Place-Holder Licks →

Previous Lesson

← Creating Bluegrass Solos: “Worried Man Blues,” Part 1: Melody and Articulation

Next Lesson

Creating Bluegrass Solos: “Worried Man Blues,” Part 3: Crosspicking, Strums, and Place-Holder Licks →

Previous Lesson

← Creating Bluegrass Solos: “Worried Man Blues,” Part 1: Melody and Articulation

Next Lesson

Creating Bluegrass Solos: “Worried Man Blues,” Part 3: Crosspicking, Strums, and Place-Holder Licks →

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Creating Bluegrass Solos: “Worried Man Blues,” Part 2: Adding Lead-In Runs

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