Taylor 512ce
By: Teja Gerken
September 29, 2022
A new take on a Taylor classic, using urban red ironbark wood.
Martin 000-16 StreetMaster
By: Teja Gerken
September 14, 2022
An affordable rosewood-and-spruce 000 with stripped-down appointments and a distressed finish.
Collings C10-35
By: Teja Gerken
August 31, 2022
An updated version of Collings’ L-00-inspired classic.
Bourgeois Touchstone OM Vintage/TS
By: Teja Gerken
August 24, 2022
A collaboration between the Bourgeois and Eastman shop results in a great traditional-style OM.
Santa Cruz Parabolic 12-String Set
By: Teja Gerken
August 10, 2022
The latest addition to Santa Cruz’s line of strings is a set for 12-string guitar.
Martin D-28 Authentic 1937
By: Teja Gerken
August 4, 2022
A fantastic vintage-style dreadnought built with Guatemalan rosewood.
Taylor 724ce
By: Teja Gerken
July 20, 2022
A new all-koa grand auditorium that’s part of the revamped 700 series.
Pedro Santos Ten-String Bandolim
By: Teja Gerken
July 13, 2022
Peghead Nation’s Brazilian Choro Mandolin instructor Ian Coury demonstrates his main instrument and talks about the history of the mandolin in Brazilian music.
Martin Authentic-Inspired Custom Shop 000-28 1937
By: Teja Gerken
June 29, 2022
A great limited edition 14-fret 000.
Tags: Guitar Demos, Martin Guitar
Huss and Dalton TOM-R
By: Teja Gerken
June 9, 2022
A great rosewood OM that combines vintage and modern features.
Taylor 722ce
By: Teja Gerken
June 1, 2022
A revamped 700-series grand concert now features Hawaiian koa wood.
Phil Jones Nanobass X4
By: Teja Gerken
May 25, 2022
A tiny full-range amp with great sound provides a modest volume boost.
Martin 00-28 Modern Deluxe
By: Teja Gerken
May 18, 2022
A rosewood 00 that fuses vintage design with modern features.
Collings C100
By: Teja Gerken
May 11, 2022
A mid-size flattop with a versatile sound and an original, yet familiar body shape.
2004 Martin OMC-28BLJ
By: Teja Gerken
April 21, 2022
Peghead Nation instructor Doug Young demonstrates his Brazilian rosewood Laurence Juber signature model.
