Taylor Guitars’ master luthier Andy Powers talks about the tradition of the 12-fret guitar, how the design was lost in the 1920s as it gave way to the 14-fret neck, and why its unique tonal properties and handfeel have led to a revival among modern players. He also describes the playing comfort and surprising tonal properties that players can expect in Taylor’s small-body Grand Concert 12-fret models.

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The T5z | Taylor Guitars Taylor artist Daria Musk demonstrates the versatile tones of the acoustic-electric T5z guitar. Read More

Bob Taylor’s World Forestry Tour | Fiji The Taylor Guitars founder reports from his stop in Fiji, with a performance by singer-songwriter Knox Fiji. Read More

Cutaway vs. Non-Cutaway Guitars | Taylor Guitars Taylor Guitars Product Specialist Marc Seal talks acoustic guitar cutaways, describing their purpose and how they affect the feel of the guitar. Read More

Tonewoods | Mahogany vs. Maple vs. Rosewood | Taylor Guitars A helpful look at the characteristics of the three most common tonewoods, with suggestions for picking a guitar based on the sound you need. Read More

Jon Foreman | The Academy Sessions | Taylor Guitars The Switchfoot guitarist and songwriter talks about starting to play guitar, writing songs, the central role of music in life, and the Taylor Academy Series. Read More

The Ebony Project | Preview | Taylor Guitars A look inside Taylor’s harvesting and re-planting of ebony trees in Africa, with Bob Taylor describing the process and the people involved. Read More

What is V-Class Bracing? | Taylor Guitars Andy Powers and Bob Taylor talk about the concept and creation of Taylor’s new guitar bracing. Read More

Taylor Artists on V-Class Bracing Watch Zac Brown and other Taylor artists react as they discover the power of V-Class for the first time. Read More

Andy Powers on V-Class Bracing Taylor Guitars designer Andy Powers discusses the company’s new top bracing system. Read More

Bob Taylor’s World Forestry Tour | Guatemala The Taylor Guitars founder reports from his stop at the Izabal Agro Forestry Project in Guatemala on his 25-day tour of tonewood forests. Read More