Dominant 9/Minor 6 Arpeggio Shapes, Part 1 |
Dominant 9/Minor 6 Arpeggio Shapes, Part 1
This lesson is as much a theory lesson as a “learning the fingerboard” lesson. Dominant nine chords and arpeggios are a common extension for playing V7 chords, you just add the nine to the root, third, fifth, and seventh of the dominant seven chord. And if you remove the root from the dominant nine, you get a four-note arpeggio that is also a minor six (m6) and minor seven flat five arpeggio (m7b5), depending on which note is the root. For example, C9 is C, E, G, Bb, D. If you remove the C, you get E, G, Bb, D, which is an Em7b5, as well as a Gm6 (arranged as G, Bb, D, E). Scott shows you three convenient shapes for this arpeggio on strings 4–2, 3–1, and 5–3, and how to combine the arpeggio with the corresponding scale for the shape.
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Dom 9/Min 6 Arpeggio Shapes (Available to subscribers)
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